Los Angeles

Ocean Way Hollywood

  • 6050 Sunset Blvd
  • Hollywood CA 90028
  • Website

The Scoop

Ocean Way Recording is the world's most awarded studio complex. Generations of music icons, from Frank Sinatra and The Rolling Stones all the way to Radiohead and Kanye West have chosen Ocean Way for its phenomenal sounding rooms, customized equipment, and access to the music industry's most famous collection of vintage tube microphones.

ROOM RATES with ENGINEER (hourly): Contact for Rates
Clients/Credits: Notable Recordings include: Green Day "21st Century Breakdown", Frank Sinatra "It Was A Very Good Year", Sheryl Crow "C'mon C'mon", Lionel Richie "Can't Slow Down", Whitney Houston "I Will Always Love You", Radiohead "Hail To The Thief", Kanye West "Late Registration", Avril Lavigne "Under My Skin", Beck "Sea Change", Eric Clapton & BB King "Riding With The King"
Key Staff / In-House or Associated Talent: Rob Goodchild
Special Features: Large Tracking Rooms, Private Lounges, Steinway Grand Piano, Echo Chambers, Analog Recording, Dedicated Mastering Room

SPECS

Consoles, DAWs, Tape Machines: Custom 72-input Focusrite console, 10 input Neve BCM 10 with original 1073 Mic Pre EQs (Studio A); Custom 84-input Neve 8068/8088 with Flying Fader Automation, 64 Neve 31102 EQ plus 48 original API 550a EQ (Studio B), Pro Tools HD3, Ampex ATR-102 Custom 2 Track Tape Machines, Ampex ATR-124 2" Custom 24 Track Tape Machines
Outboard Gear: API 550a EQ, Avalon M5 Mic Pre, Avalon 737SP Mic Pre/EQ/Comp, Avalon M2 Mic Pre, Avalon 2055 Stereo EQ, GML 8200 EQ, ITI ME230 Stereo EQ, 4 Lang PEQ2 EQ, 2 Manley VTL Tube Mic Pre, 2 Pultec EQP 1A3, ADR Compex limiter, 7 Allison Research KEPEX II, Alta Mode Unicomp Comp, 2 dbx 165A Comp, 2 dbx 160 Comp, 2 Eletrodyne Stereo Comp, 2 EL8 Distressor Comp, Fairchild 670 Stereo Tube Comp, SSL XLogic multichannel comp, 2 Summit Audio TLA 100 Com, 3 Teletronix Tube Comp, 5 Urei 1176 LN Comp, AMS 1580 Digital Delay, 2 AMS RMX16 Digital Reverb, EMT 250 Digital Reverb, Eventide H3500 Digital Delay effects, Eventide H-3000 Digital Delay effects, Eventide 2016 Digital Reverb, Lexicon 480L, 4 Lexicon PCM 42, Lexicon PCM 70, 2 Roland SDE3000 Digital Delays, Studio Tech AN2 Room Simulator, TC M-6000 Digital Delay Effects, EMT-140ST Plate Reverb
Microphones: AKG C12 (4), C12A (8), C24, C414EB (6), C414XLII, C452 (6), C460 (2), C60 (2), C61 (2), D112 (2); Altec 150 (2), 195A (2), 632C, 639 (2); Audio-Technica AE2500, AT4022(2), AT4055(2), AT4080, ATM450; Beyerdynamic 160, 201 (2), M500 (2); B&K 4011 (4), 4006 (3), 4003 (2); Calrec Sound field MK4, Electro-Voice 666 (5), ND308, RE20 (4), Heil Pro20, Pro30, Pro40; Isomax; Neumann KM84 (6), KM86 (4), KM53, KM54 (4), KM64, M49 (2), M50 (2), SM2, U47 (4), U47FET (4), U67 (8), U87 (5), U89 (2), CMV563 (2); RCA 10001 (2), BX44 (2), DX77 (4); Royer R121 (2); Scheops CMC5U (6); Sennheiser MD409, MD421 (11), MD441 (4), MKH20 (5), MKH40 (7); Shure 425 (2), BETA52, SM33, SM545 (4), SM546 (2), SM56 (5), SM57 (14), SM58 (2), SM7 (3), KSM141, KSM32; Sony C37FET (4), C37P (2), C48, C500 (3), C55P (10), F113 (2); Sterling ST44, ST55, ST6050 (2); Telefunken ELAM 251 (4); Syncron S10 (3); Yamaha SUB KICK
Monitoring: Ocean Way Custom Tri Amped Mains, Genelec 1032A near fields, Yamaha NS-10M near fields, Auratone C-2
Instruments & Amps: Steinway B 7' Grand Piano, Hammond B3 organ w/ Leslie, Yamaha C-7 7' Grand Piano, Hammond B3 organ w/ Leslie

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