Los Angeles

Infrasonic Sound Recording Co.

  • 5074 Alhambra Ave
  • Los Angeles CA 90032
  • Website

The Scoop

Infrasonic Sound is a 2” 16/24 track classic recording studio, operating on a Trident 80C London Console with custom Inward Connections Mix Buss and Monitoring Buss. Est. in 2004 by Jeff Ehrenberg and Pete Lyman, and Infrasonic Sound is perhaps best explained by their steadily expanding client roster:

ROOM RATES with ENGINEER (hourly): Contact for Rates
Clients/Credits: Fools Gold, Wavves, Telepathe, The Mars Volta, No Age, The Like, Beck, Jamie Lidell, Qui, Mountain Man, Dante Vs. Zombies, Saosin
Associated/Partnered With: Infrasonic Mastering
Key Staff / In-House or Associated Talent: Jeff Ehrenberg, Pete Lyman, John Greenham
Special Features: Large Tracking Room, Trident Console, Tape Machines, Mix down to almost any format

SPECS

Consoles, DAWs, Tape Machines: Trident 80C, Custom Inward Connections Mix Buss and Monitor Buss, Otari MTR-90 2" machine, Pro Tools HD2 Accel, Apogee AD-DA, Antelope Atomic Clock, CLASP,
Live Room Dimensions: Medium: 351 – 750 sq ft,
Outboard Gear: Neve 1084, Lang PEQ-2, EMT 160, ) API 512c Mic Pre, (2) API 560 Graphic EQ, (2) API 550 EQ, Chandler Germanium Mic Pre, (2) Lang PEQ-2, (2) Neve 1064 Mic Pre/EQ (Abby Road owned and modified), Orban 6228 stereo EQ, Putec EQH-2, (2) Audix 35102 mic Pre/EQ’s (70?s competitor to Neve), (2) Shadow Hills Gamma Mic Pre, (1) Shadow Hills GAMA 8 channel mic pre, (1) Vintech/Neve 1272 2 channel mic pre, (16) Rupert Neve Portico 5032-V Mic Pre/EQ, (2) Rupert Neve 5033-V Portico 5 Band EQ
Microphones: AKG D112, AKG d12, (3) AKG 451e, (2) AKG C60 Tube Condenser, (2) Beyerdynamic M160, (2) Coles 4038 Ribbon Mics, Heil PR 20, Heil PR 30, Fostex M20RP Stereo Ribbon, Korby Cnvrtbl (Tube Mic w/ U67, C12, 251, and U47 capsules), MXL Condenser, (1) Neumann TLM 103, (1) Neumann UM57, (1) Realistic (Crown) PZM Mic, (2) Rode NT3 condensers, (6) Sennheiser 421, (1) Shure Beta 52, (1) Shure Beta 56, (2) Shure SM 7b, (1) Shure SM 58, (6) Shure SM 57, Sony C-536p Condenser, Sony C-57 Condenser, Wunder Fet 7 (Fet 47 clone), Electrovoice RE20, Avantone CV-12, Yamaha Subkick
Monitoring: Dynaudio BM15A, Event 20/20 (in studio for playback), Yamaha NS-10m Nearfield Monitors, (2) Barefoot MicroMain27 (available by request)
Instruments & Amps: Hardman Grand Piano, Hammond B3 with Leslie, Hohner Clavinet E7, Farfisa Combo Compact I, Korg Poly 60, Korg MS2000, Moog Micromoog, Moog Concertmate MG-1, Nord Lead 3, Oberheim DX, Vintage Ampeg SB-12, Portaflex (Mid ‘60s), Vintage Ampeg SB-15NC Portaflex (1963), Ampeg SVT Head, Vintage Ampeg Reverb Rocket (Mid ‘60s), Ampeg 8X10” SVT Cab