Los Angeles


  • 1732 Victory Blvd
  • Glendale CA 91201
  • Website

The Scoop

comp-ny is a unique analog/digital recording and mixing studio in the equestrian district of Los Angeles. Say it like "company," spell it like "comp-ny."

ROOM RATES with ENGINEER (hourly): $60-80,
Clients/Credits: Kevin Morby, Kim Deal, Bleached, Swervedriver, Malcolm Mooney (CAN), Drinks (Cate LeBon / Tim Presley), Nic Hessler, The Ocean Blue, Modern English, Radar Bros, Peaking Lights, Vulfpeck, The Soft Pack, Basement, Cut Chemist, The Wedding Present, Girlpool, Citizen, Sad Lovers & Giants, Dilly Dally, The Gaslamp Killer, Teen Suicide, GUIDES
Key Staff / In-House or Associated Talent: Be Hussey, Drew Fischer, Rob Barbato, Stephen Becker
Special Features: Tape machines, tape delays, vintage synths, analog recording console


Consoles, DAWs, Tape Machines: Neotek Series IIIc, Pro Tools HD (24 in / 32out), Otari MX-80 2" 24-track tape machine, Ampex 800 1/4" 2-track tape machine, Lynx Aurora converters
Live Room Dimensions: Large: 751 – 1,200 sq ft,
Outboard Gear: AEA RPQ 500 (2ch), Calrec PQ 1161 (2ch), Neve 1272 (2ch), Telefunken ELA V624 (2ch), Universal Audio 2-610, CAPI VP26 (2ch), Groove Tubes The Brick, Altec 1612B Limiter, Universal Audio 1176LN, Urei LA-4 (2), Empirical Labs Distressor (2), Chameleon Labs 7720, dbx 128, dbx 560a (2), dbx 263x De-esser, dbx 363x 2ch Gate, FMR RNC (2), Omnicraft GT-4, Orban 418a Stereo Limiter (2), Retro Instruments Doublewide (2), Retro Instruments Powerstrip (2), Symetrix 501 (2), Valley People Dynamite (2), Valley People Gain Brain II (3), Valley People Comander (2), Valley People Kepex II (4), Valley People Leveller (2), Valley People Maxi-Q (2), Alesis Microlimiter
Microphones: AEA R84 ribbon, AKG d112, Audio-Technica ATM 450 (2), Audio-Technica Pro37, Audio-Technica 4033, Audix D2 (2), Audix D4, Beyerdynamic m201, Beyerdynamic m101, Beyerdynamic m422, Beyerdynamic m500 ribbon (Stephen Sank mod), Beyerdynamic Opus 65, Blue Cactus tube, Cascade x-15 stereo ribbon, Cascade Fathead II ribbon (2), Coles 4038 ribbon (3), EV 635a, EV RE20, Groove Tubes Model 1 tube (2), Groove Tubes Model 2 tube, Groove Tubes GT44 tube (2), Neumann U87, Oktava MC012 (3), Oktava ML-52 ribbon, Peluso 2247 LE tube, Royer r121 ribbon, Sennheiser 421, Sennheiser 441, Sennheiser e609, Sennheiser e902, Shiny Box 46mx ribbon, Shure Beta 52, Shure Beta 98a, Shure sm7b, Shure sm57 (3), Shure sm58 (2), Shure 545, Subkick (custom)
Monitoring: ProAc 100, Adam A7x, Yamaha NS-10, Auratones
Software: Pro Tools 10 HD, Universal Audio UAD-2 with Octo, All UAD-2 plugins, Waves CLA, Waves Ren, Waves Abbey Road, Sound Toys full bundle, Waves Scheps, Massey full bundle
Instruments & Amps: Crumar T2 organ, Fender Rhodes w/ speaker, Wurlitzer spinet piano, Moog The Rogue, Moog Micromoog, Sequential Circuits SixTrak, 1960s Ludwig kit (20? kick, 12,13,16), 1970s Slingerland kit (22? kick, 12,13,16), Ludwig Black Beauty Snare (14×6.5?), Ludwig Acrolite snare (14×4?), Pearl Maple Free-floating snare (14×6.5?), Simmons (SDS-8), Simmons kit, Fender Telecaster w/ Bigsby, Fender Telecaster, Music Man Sabre II (’79), Gibson J-150 Jumbo acoustic, Yamaha acoustic, Framus acoustic (nylon string), Fender P Bass (’79), Music Man Sabre (’79 roundwound), Music Man Sabre (’79), Acoustic Upright Bass, Ampeg SVT-VR head, Ampeg SVT-AV 8×10 cab, Ampeg SVT-410HLF cab, Ampeg 400T head, Fender Bassman 50 head, Fender Deluxe Reverb (’64), Fender Vibrolux Reverb (’64), Fender Blues Jr., Kustom head (w/ built-in effects), Music Man Seventy-Five head, Music Man 1×15 cab, Mesa Boogie 1×15 Roady-Ready (2), Orange Terror Bass 1000